How do you feel about pockets, the bigger the better?
I love being free from a purse, throwing my necessities and maybe a craft project for good measure into a generously sized pocket, and apparently I’m not alone in feeling that capacious pockets offer freedom: “No pocketless people has ever been great since pockets were invented, and the female sex cannot rival [men] while it is pocketless” notes an 1899 article on the Rational Dress Society. Pockets (or lack thereof) are not just a symbol of sexism, but political in nature: evoking swagger, mystery, suffragettes, personal property, equality.
Similarly, the loose silhouette of early 20th Century ‘Village sacks,’ so named for the Greenwich Village artists who made and took to them, freed the female body and “conveyed the message that the wearer was a liberal woman who stood outside mainstream America.” (this I’ve learned from the incredible O’Keeffe: Living Modern catalog).
Which brings me to my modern loves: functional studio-meets-street smock designs by State the Label and GDS Cloth Goods which give me all the heart-eyes, the amazing catch-all crescents of Elizabeth Suzann‘s Clyde designs, and denim shift dresses and full skirts with wrap-around pockets by Aliya Wanek and Carleen. I contend that FLAX designs of the ’90s actually originated many of the sack and pocket shapes we’re seeing these days, my own vintage Flax jumpsuit adorned with inset wrap-around pockets, and a quick eBay search offering much inspiration (lower right in the collage above).
After doodling countless smock dresses on every surface within arms reach, I’ve taken to drafting my ideal dress, a mash up of my smock-pocket dreams and my self-drafted crop top and best woman dress. More soon!